I spend a considerable portion of my time observing the habits of the wild animals, my brute neighbors. By their various movements and migrations they fetch the year about to me. Very significant are the flight of geese and the migration of suckers, etc. But when I consider that the nobler animals have been exterminated here, the cougar, panther, lynx, wolverene, wolf, bear, moose, deer, beaver, turkey, etc., etc., I cannot but feel as if I lived in a tamed and, as it were, emasculated country. Would not the motions of those larger and wilder animals have been more significant still? Is it not a maimed and imperfect nature that I am conversant with? As if I were to study a tribe of Indians that had lost all its warriors. Do not the forest and the meadow now lack expression? now that I never see nor think of the moose with a lesser forest on his head in the one, nor of the beaver in the other? When I think what were the various sounds and notes, the migrations and works, and changes of fur and plumage which ushered in the spring, and marked the other seasons of the year, I am reminded that this my life in nature, this particular round of natural phenomena which I call a year, is lamentably incomplete. I listen to a concert in which so many parts are wanting. The whole civilized country is, to some extent, turned into a city, and I am that citizen whom I pity. Many of those animal migrations and other phenomena by which the Indians marked the season are no longer to be observed. I seek acquaintance with nature to know her moods and manners. Primitive nature is the most interesting to me. I take infinite pains to know all the phenomena of the spring, for instance, thinking that I have here the entire poem, and then, to my chagrin, I learn that it is but an imperfect copy that I possess and have read, that my ancestors have torn out many of the first leaves and grandest passages, and mutilated it in many places. I should not like to think that some demigod had come before me and picked out some of the best of the stars. I wish to know an entire heaven and an entire earth.The above is a fuller version of a passage quoted in Dan Flores's sobering 2022 book Wild New World: The Epic Story of Animals & People in America. A few of the animals Thoreau mentions have since recovered (at least to an extent) in the Northeast, but by and large his lament is still valid. We live in an impoverished world. Sadder still, many of us aren't even aware of how much we've lost.
The Journal (1856)
Showing posts with label Thoreau. Show all posts
Showing posts with label Thoreau. Show all posts
Tuesday, January 02, 2024
Notes for a Commonplace Book (30)
Henry David Thoreau:
Saturday, July 22, 2017
Poems in their kind
Ramaria |
Amanita |
Russula parvovirescens |
Oct. 10, 1858. The simplest and most lumpish fungus has a peculiar interest for us, compared with a mere mass of earth, because it is so obviously organic and related to ourselves, however remote. It is the expression of an idea, growth according to a law, matter not dormant, not raw, but inspired, appropriated by spirit. If I take up a handful of earth, however separately interesting the particles may be, their relation to one another appears to be that of mere juxtaposition generally. I might have thrown them together thus. But the humblest fungus betrays a life akin to my own. It is a successful poem in its kind. There is suggested something superior to any particle of matter in the idea or mind which uses and arranges the particles.
— Henry David Thoreau, Journal
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Mycena leaiana or Galerina marginata? |
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Artomyces pyxidatus? |
Phallus |
Cortinarius iodes? |
Possibly Amanita amerirubescens |
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Lycoperdon perlatum |
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Humidicutis marginata |
Labels:
Fungi,
Photography,
Thoreau
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