Pencils

Sleepy Hollow Cemetery, Concord, Massachusetts.

We found the Thoreau family plot first, and thought that maybe the offerings of writing implements on Henry's grave might be an allusion to his innovations in pencil manufacture, but as we walked on we saw that the same tribute was afforded to the other writers who are interred nearby.

Louisa May Alcott received by far the most pencils (and a few pens), as well as some corn dollies, flowers, and hand-written notes.

All of these graves (as well as Emerson's, not shown), along with those of many of their family members, lie within a few steps of each other on a little knoll.

Autumn

Three people I used to know fairly well at various times in my life have died this year. One was a childhood friend I hadn't seen since the Nixon adminstration (our lives diverged); the other two were midlife colleagues and friends from the book business I lost touch with when I retired. As far as I know, all three were active and healthy a year ago. Unsettlingly, all three were also more or less my age — but that's how it goes, you know. Once you reach a certain age, if your contemporaries aren't starting to predecease you it's only because you're the one to go first.

In the meantime, the political condition of the country is as bad as it's been in my lifetime, and there seems to be no prospect of improvement in the offing. The people holding the reins are not only corrupt and sociopathic but actually grotesque; that many of us are endorsing this or accommodating ourselves to it is the surest indication that the republic as a whole is politically and morally dead. We no longer seem able to discern right from wrong or true from false, but that's hardly surprising when our public and private lives are increasingly given over to fakery and superficiality. (End of screed.)

And suddenly the seasons have changed. In spite of some lovely mild October weather, I'm waking in the dark and in the cold now. Afternoons still linger a bit but that will change when we turn the clocks back. After a seemingly endless (and mostly rainless) summer it's hard to wrap my head around the idea that it will be half a year before I can start planting things outdoors again.

The corn and peaches are gone from the local farmstands and weekend markets, but there are pumpkins and winter squashes and beautiful apples in abundance. I've broken out the first Dickens for winter reading and the jigsaw puzzles await patiently in their cardboard boxes.

The wild turkeys above are from a group of twelve that overnighted in a local graveyard. Just down the road at our favorite local farm there's a small flock of their white domestic cousins enjoying their last weeks of life before Thanksgiving. The world turns, and the harvest goes on.

Ivan Klíma (1931-2025)

The Czech writer Ivan Klíma has died; the New York Times has a full obit.

Klíma has long been a favorite writer of mine, and I revisited at least one of his books earlier in the year. Of the ones that have been translated and that I've read, My First Loves, My Golden Trades, and My Merry Mornings are all worth reading, as is the weightier (and occasionally ponderous) Judge on Trial; the English-language edition of his novel Love and Garbage, however, is marred by a stilted translation. His memoir My Crazy Century covers the same ground as some of his fiction, and includes some philosophical musings that could easily have been skipped. My earlier posts can be found by clicking the tag at the bottom of this post.

I find it somewhat irritating that at least one obit pigeon-holes Klíma as an "author and anti-communist dissident." The latter designation isn't literally wrong, but it's a cliché (and arbitrary at that — he was also "a concentration camp survivor"), and I doubt that it's how he would have wanted to be remembered. Klíma wasn't an ideologue, he was a novelist.

Update: The Guardian also has an obit.