I got a chance to see Freedy Johnston live the other night. I had seen him once earlier, playing with his longtime lead guitarist Cameron Greider about six or seven years ago; this time he was on his own in a small club.
The show was a little ragged at times. He began it distracted by his dog, who was just outside the door, started playing with the capo on the wrong fret once or twice and had to start a song over, forgot the lyrics to “Dolores,” and at one point stopped the show for about ten minutes while he replaced a nine volt in his electronic tuner. But he was relaxed and in good spirits and eventually hit his stride.
On his records you don't at first notice how effective a guitarist Freedy is, although it's there if you listen carefully. As he's made clear in interviews, he doesn't pretend to be a accomplished lead player, but his playing is original and assured; he makes the most of a few well-chosen, deceptively simple-sounding licks and strums neatly tailored to his own compositions.
I've always liked this song from its original appearance on Can You Fly in 1992. He played it live this time, with a somewhat different, freer arrangement starting at the beginning of the second verse. After the show I bought a copy of Freedy's self-issued CD Live at 33 1/3 from his wife. The version there is very similar to what he played the other night, and I think, even better than the one originally recorded. If you don't realize that the first two lines are supposed to be funny you're not getting this song, but for all that it's a sweet, sad, and I think very canny and beautiful piece. A little mysterious too: has the girl died? If so, it neatly folds together the song's little ironies of sex and death.
I used to love the mortician's daughter
We drew our hearts on the dusty coffin lids
I grieve tonight over this letter
My tears dissolve an image from the careful ink
Her father stands in the open door
He's waiting for her
There's a storm blowing across the lake
It's late summer
On the broken step is a cardboard box full of wilted flowers
She whispers in my burning ear
It doesn't matter
I used to love the mortician's daughter
We rolled in the warm grass by the boneyard fence
Her skin so white
The first leaves falling
This long forgotten night I am there again
Her father stands in the open door
He's waiting for her
There's a ribbon printed with last respects
Blowing down the gutter
And the rain comes in, she drops my hand, she's turning, laughing
And I used to love the mortician's daughter
I used to love the mortician's daughter
We drew our hearts on the dusty coffin lids
There's a lonely dove out on the telephone wire
I turn my head and she flies away