Dreamers Rise

In an era of computer animation wizardry it's nice to see older technologies like stop-motion animation being reinvigorated and put to u...

I enjoyed this seasonally appropriate 1960 Mexican film directed by Roberto Gavaldón, with cinematography by Gabriel Figueroa. Macario is b...

I think this is what is called character development. Newlywed Cesca (Ann Dvorak) romps through a disturbingly peppy rendition of the most g...

I had been looking forward to seeing Alfonso Cuarón's Roma as soon as it made it to a local theatre, and it didn't disappoint. I...

A scene from Paweł Pawlikowski's Cold War, the follow-up to his Oscar-winning Ida from five years ago, which was one of my favorite mo...

It's funny how the world is inside of nothing. I mean, you have your heart and your soul inside of you. Babies are inside of their mot...

Today, the New York Times has an astonishing series of photos from the nationwide worldwide women's marches of January 21, 2017.

Paweł Pawlikowski's Ida is my kind of film: spare, understated, sensitively directed, small in scope but firmly anchored in its time ...

I saw most of this "documentary" by Etienne de France this summer at the Listasafns Íslands (National Gallery of Iceland) i...